![]() #2001 A SPACE ODYSSEY FREE#Feel free to disregard the outright snobbishness of my tying everything to Nietzsche. Conceived as a book and a film simultaneously, it. The case could certainly be made that 2001 is above all a dramatization of "Zarathustra" updated for the modern age. 2001: A Space Odyssey is perhaps Stanley Kubricks signature movie, and Arthur C. Few people find the ending of 2001 to be gloomy, and it is in my opinion, explicitly and unmistakeably Nietzschean. He passes through the Star Gate and becomes transformed into an eternal being without a body. He is intelligent and disciplined, which helps him survive the loneliness of Pooles death. But I just wanted to mention them, if for no other reason than to try to dispel the myth that Nietzsche was ultimately a gloomy philosopher. David is chosen as one of two crew members to stay awake during the entire voyage to Saturn. I know these parallels are pretty broad, and almost certainly have been noted elsewhere despite the fact that I have not personally seen it. Bowman's psychedelic sequence at the near-end could be seen as Kubrick's best 1960's-style attempt at depicting the mystical "going under". #2001 A SPACE ODYSSEY HOW TO#The inscrutability of how these transformations occurred, and the suggestion that an external force caused them, is also Nietzschean in "Zarathustra", he makes it pretty clear that he doesn't have a clue how people are going to be able to enact these changes themselves and suggests that we will have to depend on an outsider (Zarathustra) to show us how to "go under". #2001 A SPACE ODYSSEY MOVIE#And also, Zarathustra said that "man is a rope tied between beasts and the overman." The structure of the movie fits that description: a brief history of man as beast, until we become truly man by mastering weapons and acquiring reason, then a long sequence about man (the rope, as it were), and then a brief glimpse of the overman. Much of the dialogue exists only to show people talking to one another, without much regard to content (this is true of the conference on the space station). There are few conversations that could not be handled with title cards. ![]() The fact that the song plays during the star child sequence can hardly be coincidence. 2001: A Space Odyssey'' is in many respects a silent film. describes the first incarnation of the overman as a child, transcending both the ascetic, altruistic side of man (the camel always asking to bear more weight) and the rapacious, brutish, will-to-power side of man (the lion). The idea of man's rebirth into a star child an infant form of an indescribably more advanced being, is an explicit part of N.'s "Zarathustra" there is a prominent passage called "On how a camel becomes a lion, and a lion becomes a child", in which N. 2001: A Space Odyssey: Special Edition (Dbl DVD) A space mission that could reveal man’s destiny is jeopardized by a malfunctioning shipboard computer. I'm always surprised, given that the famous title track of 2001 is called "Also sprach Zarathustra", that nobody (nobody I've read, anyway) has noted the parallels between the movie and Nietzsche's famous work, "Also sprach Zarathustra". ![]()
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